교수진
SOHN, SOO YUN
Assistant Professor, Early Modern Europe Art History
gratie@hongik.ac.kr
Professor Sooyun Sohn teaches the visual culture of Early Modern Europe at the Department of Art History and Theory in Hong Ik University and at the Department of Art History in the Graduate School. Her Doctoral dissertation is on the art of memory and material culture reflected in the Dutch Emblem book. Her educational goal is to teach the visual culture of Early Modern period as a model for all critical thought and all verbal approach to images. She continues on the interdisciplinary research on border study, sensory study, and patronage supported by Korea Research Foundation. Currently, she is active as an executive for the Korean Association of the Baroque Studies, the Korean Association of the Art History Education, and the Association of Western Art History.
MAJOR
Early Modern Europe Art History
BIOGRAPHY
Ph. D. University of Wisconsin-Madison, Art History
M.A. University of Wisconsin-Madison, Art History
M.A. Hongik University Graduate School, Korea. Art History
B.A. Hongik University, Korea. Art History and Theory
2018-20,Aug.
Assistant Professor, Mok Won University.
2014-17
Adjunct Professor, Hong Ik University
2013
Lecturer, Hong Ik University, Korea National University of Art
2011-12
Honorary Fellow, University of Wisconsin-Madison
Chief Editor, Korean Association of Baroque Studies
Academic Director, Korean Association of Art History Education
Finance Director, Association of Western Art History
PUBLICATIONS
Books (Co-Author)
Art History in Early Modern Europe 3, Seoul: Mijinsa, 2020.
Mecenat and Imagination: Art Patronage in Modern Literature and Art, Seoul: Seoul National University Press, 2017.
Wilderness, Seoul: Hakyeon publishing. 2017.
Truth of Art, Seoul: BGI Ad. 2016.
50 Years of Korean Christian Art, Seoul: Korean Christian Art Association, 2016.
Visual Art in Early Modern Europe 2, Seoul: Mijinsa, 2015.
Dictionary of Art Terms, Seoul: Mijinsa, 2015.
Art History in Early Modern Europe: Renaissance, Baroque and Rococo, Seoul: Seoul House, 2009.
Articles
“Border Studies and Art History: A Case Study of the Seventeenth Century Dutch Visual Culture,” Journal of Association of Western Art History 54 (2021):7-14.
“Religious Painting in Dutch Golden Age: Rembrandt’s Descent from the Cross(1633),” The Korean Journal of Art Studies 27 (2020, Mar): 185-208.
“Dutch Toleration Policy and the Visual Culture: Jan Luyken’s Jezus en de Ziel,” Art History Forum 48 (2019): 217-236.
“The Quest for Classicism in Dutch Genre Painting,” Journal of Association of Western Art History 50 (2019): 149-173.
“The Social Function of Carnival Images: Pieter Bruegel’s Battle between Carnival and Lent,” Journal of Korean Association of Art History Education 36, (2018): 31-52.
“Visual Traditions of the Seventeenth-Century Dutch Landscape in Caspar David Friedrich’s Landscape Paintings,” ASIA LIFE SCIENCES, The Asian International Journal of Life Sciences (2018): 2221-2234.
“Saint and Landscape: Albrecht Altdorfer’s Saint George and the Dragon (1510),” Journal of Association of Western Art History 46 (2017): 175-198.
“The Allegory of Louis XIV, Charles Le Brun’s Four Seasons,” Art History and Visual Culture (2016): 6-35.
“Ceramics in Dutch Genre Painting,” Art History and Visual Culture 15 (2015): 164-181.
“Seventeenth-Century Prints and the Material Culture,” Journal of Art History 28 (2014): 33-58.
“The Convergence of Emblematic Prints and Dutch Genre Painting, ” Journal of Korean Association of Art History Education 28 (2014):159-188.
“Rembrandt’s Mennonites: From the Heretics and the Middle Class,” Journal of Association of Western Art History 40 (2014): 215-236.
“The Meaning of the Household Goods in Dutch Religious Emblem: Jan Luyken’s Het Leerzaam Huisraad (1711),” The Journal of the Association of Comparative Study of World Literature in Korea 42 (2013): 615-636.
“Passage of Demons or Tools for Meditations?: Monstrous and Deformed Bodies in Hieronymus Bosch’s Garden of Earthly Delight” Journal of Association of Western Art History 37 (2012): 171-198.
“Rubens’ Descent from the Cross and the Counter Reformation,” Journal of Association of Western Art History 16 (2001): 147-159.
International Conference
2013
Renaissance Society of America, Sandiago, CA. Paper: Eyes to the World, Emblematic Prints in Jan Luyken’s Beschouwing der Wereld (1708)
2012
Renaissance Society of America, Washington D.C. Paper: Fully Integrated Household Objects: Jan Luyken's Het Leerzzam Huisraad (1711)
2011
The 46th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, Michigan. Paper: The Art of Memory and Jan Luyken's Het Leerzzam Huisraad (1711)