2021
Young-Paik Chun, Cézanne‘s Apples, Expanded Edition: Thinkers attracted by Cézanne, Seoul: Hangilsa Publishing
2020
Young-Paik Chun, Change of Ideas. Seoul: Yolimwon
2019
Young-Paik Chun, Decisive Moments of Modern Art: The Exibitions that Make 'isms' in Art History. Seoul: Hangilsa Publishing
2008
Young-Paik Chun, Cézanne‘s Apples: Thinkers attracted by Cézanne, Seoul: Hangilart, 2008. (Awarded by Korean Ministry of Culture)
2016
Young-Paik Chun, The Room of an Elephant; Contemporary Art and its Space. Seoul: Doosung Publishers
- Articles in Academical Journal
‘A Psychoanalytic Reading of Cézanne's Large Bathers,’ Association of Western Art History, Vol. 12, 1999, pp. 61-88.
‘Art History and Psychoanalysis: J. Kristeva's Semiotic Reading of Painting,’ The Korean Society of Art History, Vol. 17, Spring, 2002, pp. 213-251.
‘British Formalist Criticism and the Modernist Art of Bloomsbury,’ Korean Association of Art History Education, No. 17, 2003, pp. 241-274.
‘Art History in an Expanded Field: R. Krauss's Theoretical Development in the Discourse of Art History,’ Korea Association for History of Modern Art, Dec. 2003, pp. 111-144.
‘Urban Space and British Art in the 20th Century: Art and Spatial Politics in London Since the Postwar Period,’ Association of Western Art History, Vol. 21, 2004, pp. 179-218.
‘Reading Artworks via Merleau-Ponty's Phenomenological Perspective,’ The Korean Society of Art History, Vol. 25, Dec. 2005, pp. 271-312.
‘Issues on Photography in Art History: Debates on Photographic Identity in relation to "art",’ The Association of Art History, No. 20, Dec. 2006, pp. 311-342.
‘Art Historical Study on Rising and Declining of Painting Since the 1970s,’ The Korean Society of Art History, Vol. 29, Dec. 2007, pp. 29-58.
‘Conceptual Shock via Communication of Intimacy and Isolation: Antony Gormley and Rachel Whiteread,’ Association of Western Art History, Vol. 30, 2008, pp. 265-293.
‘Looking at Korean Contemporary Art History since the 1960s: through Bourdieu's Sociological Framework of Forms of “Capital”,’ The Association of Art History, No. 23, 2009, pp. 397-445.
‘Methods of ’New Art History’ in British Terrain since the 1970s: Looking at the Art Historical Perspectives of T. J. Clark and G. Pollock,’ Art History and Visual Culture, No. 9, 2010, pp. 272-303.
‘Paradox of Modernity and Emptiness in the City: Benjamin’s Passages and Atget’s photography,’ The Korean Society of Art History, Vol. 37, Dec. 2011, pp. 219-250.
‘On the Sublime and the Uncanny in the Postminimal Work of Anish Kapoor,’ Korea Association for History of Modern Art, Vol. 32, Dec. 2012, pp. 319-352.
‘Meaning of Place to The Artist-Traveller: Theoretical Backdrop for The Works of Border-Crossing Korean Artists in Global Context,’ The Korean Society of Art History, Vol. 41, Dec. 2013, pp. 169-194.
‘A Study on the Mainstreams of Contemporary Art History and Art Criticism Since the 1980s up to the Present: Key Issues of Main Publications During the Last Three Decades,’ The Association of Art History, Vol. 27, Dec. 2013, pp. 447-484.
‘Okakura Kakuzo’s ‘Aesthetic Nationalism’ from the Perspective of Cultural Exchange Revolving around Japanese Pavilions in World Expositions,’ The Association of Art History, Vol. 31, Dec. 2016, pp. 193-228.
‘Realising Human Vision ‘True to Life’ in the Painting: Daivd Hockney’s Way of Seeing against Perspective and Photographic Vision in His Landscape Since the 1980s,’ Association of Western Art History, Vol. 48, 2018, pp. 153-181.
‘Bergson’s Theory of ‘Duration’ and Cézanne’s ‘Image of Time’: Focusing on Cézanne’s Influence over Cubists’ Reception of Bergson,’ Association of Western Art History, Vol. 54, 2021, pp. 131-150.