Young Paik Chunis Professor of Art History at the Hongik University in Korea where she has lectured on Modern and Contemporary histories of art since 1999. She has published numerous articles on modern and contemporary British, European, and Korean art and visual culture. Her publications in English are ‘Mother's Anger and Mother's Desire: the Work of Re-Hyun Park’in Generations and Geographies in the Visual Arts(London: Routledge, 1996), ‘Looking at Cézanne through his own eyes,’ Art History(June 2002), ‘Melancholia and Cézanne's Portraits: Faces beyond the Mirror’in Psychoanalysis and the Image(London: Blackwell, 2006), ‘Korean Contemporary Art on British Soil in the Transnational Era,’ Journal of Global Studies and Contemporary Art(GSCA)(Febuary 2013). Among books she published in Korea are Cézanne‘s Apples: Thinkers attracted by Cézanne(Seoul: Hangilart, 2008; Awarded by Korean Ministry of Culture), Twenty-Two Artists Talk through Generations: Self-Portrait of Korean Contemporary Art since the 1970s(Seoul: Kungree, 2010) and The Room of an Elephant; Contemporary Art and its Space (Seoul: Doosung, 2016). She has also written over 18 articles in Korean associations of art history, among which is ‘Meaning of Place to The Artist-Traveller: Theoretical Backdrop for The Works of Border-Crossing Korean Artists in Global Context,’ The Korean Society of Art History(Dec. 2013) Her academic interest has been cross-cultural experience and its representation in art works. Her studies at the University of Leeds has formed her major concern of art history on the basis of poststructuralist thinking.